La Flor

"An astonishment... a dazzling collision of stories and genres, flashbacks and voiceovers, games and riddles… extraordinary... sweeping and addictive… the definition of a must-see."

"The Best Film of the Year! For nearly fourteen hours, this protean magnum opus, held together by an extraordinary quartet of actresses, immerses us in the pleasures of densely detailed fiction."

"One of the Ten Best Films of the Year. It’s thrilling to watch the four actresses’ performances and personas blossom as each episode unfolds."

“A marvel. La Flor is like nothing else you’ll see this year — or next year, last year, or any other year. A singular experience.”

"One of the Ten Best Films of the Year! As ambitious as anything released in the past decade, let alone year."

“One of the 25 best Latin American films of the decade (#2)! A remarkable and mad-capped feat… A singular achievement… One of the years most compulsively watchable and exuberantly epic films.” Remezcla

“A love letter to cinema itself. The movie earns its length, and will fully reward anyone willing to take it on.”

“A labor of love and obsession by the Argentine filmmaker Mariano Llinás… There are touches of the playful, philosophical fantasizing of Raúl Ruiz. A touch of Buñuel. Hints of Borges and Bolaño.”

“Grade: A. A landmark in filmmaking.”

“A triumph. A colossal artistic achievement by a filmmaker who can be declared genius, mad, or an impostor (or all of them). It’s predestined to inspire a well-deserved cult.”

“Extraordinary. One of contemporary cinema’s great collaborative undertakings.”

"The mere fact of its existence is cause for amazement, but even more astonishing is the impression that it is just the tip of an iceberg—that it could keep going, a never-ending film."